The Z 24-70mm f4.0 S is a bit better but the new zoom still should satisfy videographers. The Nikon 24-70mm f2.8E VR shows a 1.4% increase in magnification at 70mm focal length, while decreasing magnification by 2.6% at 24mm focal length.
The Z 28mm f2.8 has 9 elements in 8 groups, the Z 24mm f1.8 S is a 12/10 design, the Z 24-50mm f4-6.3 is 11/9. Only the Z 24mm f1.8 S has Nikonās Nano-Coating to reduce flare, glare and ghosting. Minimum object distance / maximum magnification: In manual focus I was able to get down to 0.18m (0.6ft.) distance with a maximum magnification of 1
At 24mm focal length the lens focuses super fast in around 0.2 sec from infinity to 0.35m (1:10 magnification), while the AF-S 14-24mm f2.8G on a Z7 (via FTZ adapter) needs 0.5 sec. The zoom ring is located at the middle of the lens and turns through 70 degrees. It has a 19mm wide rubber surface with a good grip.
NIKON Z 7 + NIKKOR Z 28mm f/2.8 @ 28mm, ISO 64, 1/10, f/8.0 Speaking of selling well, with a price of $300, I expect this lens to do just that. Itās one of Nikonās least expensive Z-series lenses so far, and it has a versatile focal length that pairs well both with FX cameras and DX cameras (where itās approximately equivalent to a 40mm
Nikon calls this the Nikon NIKKOR Z 28mm f/2.8: NIKKOR: Nikon's brand name for all their lenses. Z: For Nikon's mirrorless cameras. Ć52mm: 52mm filter thread. It also has: AF-P: Stepper (Pulse) autofocus motor. Aspherical: Specially curved glass elements for sharper pictures. D: Couples distance information to the 3D Matrix Meter.
Z 50 1.8; Z 85 1.8; Z 24-70 4; Z 105 2.8 macro; I'm now in the market for a longer-range lens, mostly for work situations (music festivals, etc., where I will be shooting from a longer distance). I have the budget for one of the following lenses but am having a hard time deciding: Z 70-200 2.8; Z 100-400 4.5-5.6
The following 100% crops show the Nikon Z 26mm f2.8 from f2.8 down to f8 compared to the Nikon Z 28mm f2.8, Z 24mm f1.8 S and Z 24-50mm f4-6.3. To eliminate focus shift I re-focussed for each crop when stopping the lens down (up to f5.6). Nikon Z 26mm f2.8 compared; 100% crop from center, APS-C/DX-corner, FF/FX-corner
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nikon z 24 70 f2 8 review